CONTEMPORARY ART

CONTEMPORARY ART: ABSTRACT WALL ART, ARTICLES BLOG, CONTEMPORARY ART
CONTEMPORARY ART
AUGUST 18, 2016 STARBORN41 2 COMMENTS EDIT
Contemporary Art

Art

Contemporary Art

It is truly a wonderful thing when you consider how much we gain from our appreciation of art, what volumes it speaks about our own culture, and among cultures that make up the world besides our own. It is highly fashionable to understand something of what art is, how it tries to reinterpret our own scope of the world on an artistic level, and yet reveals so much of the human nature behind its creation. Today’s artistic minds are no different in the outgrowth of ideas onto a canvas’ surface, and some are possessed with similar qualities that those artworks considered classics have had in the past.
There is particularly unique insight coming from a lot of contemporary art, or so the label seems to include today’s works of art, with certain vagueness stemming from the lack of a dominant school of thought or ideology. Most date contemporary art beginning towards the late 1960s, most artwork could be defined easily by particular details prior to this, and there were trends of these preferences even through to the 1980s. After the Modernistic period of art was confirmed, much of the direction came to be rather disparate during periods of socio-political change, and many of the distinctions within art have been loosened dramatically.
With some critical opinions decrying the current of contemporary art to be devoid of “true beauty”, critic Donald Kuspit was known to say that art had left the studio and found its’ way into the street, and that may not be that much for the worse with the blurring of many lines presently. Today, contemporary art seems to reflect those issues being faced by the world, and the emphasis on politics seems to have intensified of late. The shift drawing away from an ideal of beauty and purity to a complete opposing force of inspiration from socially oriented art, and often crosses the bounds of proper medium.

Though that is where the argument stops and conjecture begins as critics and artists alike clash in opinion over where the line is particularly between the various categories of thought, and it has been pieces of every different art movement being reevaluated in a similar way, in order to find that place that crosses over between art, artist, and audience, and creates a means for all of them to share space in the comprehensive concept to the artwork. Making the gaps in the points between art and life smaller and smaller, and creating new ways in which to comprehend the ways of the things we view around us.
Engaging mass culture with affecting the boundaries of perception through the means of the relevant issues shaping the world as we know it, and today there are many schools and studios of contemporary art that try to help shape the practice of contemporary art that will translate to the future, allowing us introspective glimpses into the artist’s thoughts. Creating interconnectedness that defies and defines what laws and life may continue to restrict, to analyze, and further define itself as multiple entities within one completely distinct from the sum of its’ parts.

When considering all of this information, at may seem overwhelming at first, but art is not impossible to understand if you concentrate on understanding what your tastes happen to be. When not thinking about these things, it is easy to overlook the value of what you are purchasing, and you may not be able to get the most for what you wish to spend. There are few lessons to learn that do not involve somewhat self-explanatory terms, but one must approach what appeals them with a frugal yet open state of mind, it can be much easier to find a good bargain with this mental state at hand.
Timing can sometimes be necessary to make the deal more lucrative for the buyer, and with some art auctions, it may be difficult to find some grounds on which to begin bidding. However, with studious attention to what you wish your end goal to be, and you will have found a way to acquire at least some kind of facsimile to show for your efforts. Depending upon how deeply you would wish to involve yourself in activities such as local viewings of artwork from contemporary artists, and perhaps you would even find a way to see the stirrings of the creativity from within, by becoming friends with local artists and networking.



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Abstract Art As Therapy

Abstract Art As Therapy: Abstract Art As Therapy
POSTED ON JULY 11, 2020 BY FGB
11
Jul
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Summary:
Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.

There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover …

Keywords:
abstract,art,painting,therapy

Article Body:
Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.

There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover anybody within the wide spectrum of individual audiences: a busy boardroom environment or a single office or room where quick thinking, fast reactions, and serious decision making is required; or a worker who returns from a hard days work simply wanting to be visually massaged by an easily observed enigma; or even the space inwhich the desperate and mostly misunderstood person who is gradually loosing their tentative hold on the sense of reality. There is a tremendous variety of possibilities.

Here are some suggested associations from one artists point of view:

Colour plays an obvious healing and therapeutic role to be found in a carefully selected crafted piece, and so colour-field work, which is growing in popularity, first conceived by artists like Mark Rothko and Ellsworth Kelly with their vast areas of empty colour space, might add a general feeling of peace and quiet to an otherwise noisy and hectic environment. With there being very few variations within such a large image a gentle sense of immersion into abstract stillness can slow down any fretful or irratic thinking, and even assist with the adrenal challenge of a creative.

Indefinate shapes or patterns by the likes of Jackson Pollock, Peter Lanyon, and Howard Hodgkin (again, similar works inspired by these very different abstract styles can be seen in many exhibitions, shops and galleries), show a very positive association, and may perhaps persuade a mind filled with illogical thoughts to pause, simply take in the apparent spontenaiety, and then take a different direction. Hodgkin style works in particular can be seen as puzzle like canvases inwhich the observer has no real point of reference so is free to “start” anywhere upon the picture. And because there are very few defined areas sometimes the observer inevitably finds themself either regarding the piece with little emotion, and therefore can freely make a comment – positive or not.

Let us not deny, however, the fact that many an image that has the potential to provoke a negative response can also be of great value to the observer who might actually benefit from seeing such a challenging picture that bears such a bad association. Better there on the wall than here inside the head. In this case the classic associations of red for blood and danger, black for death and sin, brown for decay and illness, along with dramatic lines and movements found in a painting are equally valuable stimulii if revealed within the appropriate environment. This comes back to my point made at the beginning – when choosing a picture, very careful consideration must be taken in order to find that one work of art which speaks directly to the very deepest parts of the observer.

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What Abstract Painting is all About

What Abstract Painting is all About: What Abstract Painting is all About
POSTED ON AUGUST 13, 2020 BY FGB
13
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What Abstract Painting is all About

Perhaps you’ve seen a lot of paintings already and out of the paintings you’ve seen, you appreciate only a few of them. You see, there are different painting styles and techniques used by painters. One of these styles is abstract painting. When you say abstract painting, not many appreciate it probably because of its different style and not so ordinary appearance. But despite the oddness of such painting style, you should not judge it at first sight. Instead, you should try to understand why it was painted.

Abstract painting started hundreds of years ago. There are famous abstract paintings housed in museums. Private collectors who love abstract painting also have some of them. Abstract paintings are good investments as well as collection items. You’ll never know how much a certain painting would cost in the future and with the great awareness and appreciation of people nowadays for abstract painting, even you can’t tell a paintings value. Some of the famous abstract painters were Picasso, Van Gogh, and Modigliani. Because of these artist’s beautiful works, abstract painting became even more famous.

Do you know what abstract painting is? This type of painting can be defined in various ways. Unlike traditional paintings, abstract painting doesn’t portray reality. Before, painting was all about depicting a realistic or photographic expression of something or someone. However, abstract paintings are a lot different. The painting itself does not illustrate real objects. The shapes and colors shown in abstract paintings are non-objective and non-representing. The painting may refer to a person or to any other individual, anything, or even nothing. If you can’t understand the meaning of a particular painting, you can ask the experts or even the painter about its meaning. Natural art lovers on the other hand, don’t need explanations because if they love abstract paintings, they will understand clearly the significance of the painting.

Try to look at an abstract painting. You will see bright, vivid, and bold colors. Aside from the colors, you will also note that the painting has biometric shapes. For art lovers, this is a beautiful and strange piece.

Way back in 1940, Abstract Expressionism is a movement pushed through by the artists. The artists and painters supported abstract painting and they wanted the freedom of expression through the paintings they made. This made abstract painting more popular. The movement began in a particular school in New York and the movement was also called Action Painting. Among the American schools that joined the movement declared their independence from the artworks of European style. After this, abstract painting was pushed forward.

In order to understand and appreciate abstract painting, you must know its humble beginnings. Even if abstract painting is quite odd, you should still learn to love it because its part of history and it is still a painting which expresses the thoughts and feelings of painters. You can get paintings like this in art galleries online and local art shops. Some are quite expensive but there are also cheap ones. You can get replicas of the original classic abstract paintings made by the famous painters by purchasing them in certain companies that commission this kind of painting style.

Try to conduct a research about abstract painting. You can find many resources online so that you will understand more about this painting style. A painting is not always a representation of a specific object or person and that is exactly what abstract painting is all about. 






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Certificate of Authenticity with each original painting
Abstract Paintings by Lewis Baber Originals /Seattle, Washington
ART
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 Lewis Baber Originals

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Features Lewis Baber Originals
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Certificate of Authenticity with each original painting
Abstract Paintings by Lewis Baber Originals /Seattle, Washington

Don’t Avert Your Eyes

Don’t Avert Your Eyes: Don’t Avert Your Eyes
POSTED ON AUGUST 2, 2020 BY FGB
02
Aug
Don’t Avert Your Eyes

There are some fine artworks that can be described in no other terms then that they are “difficult”. They may deal with harsh themes of fear, pain, loneliness or themes of violence such as war or suicide. When we encounter these kinds of art works in shows or galleries, it is our natural instinct to avert our eyes or just avoid that part of the show because we know it will upset us.

But we need to know how to look at difficult fine art as much as we can look at art that pleases us. The artistic soul does not confine itself to just themes of happiness and peace. There is something about the artistic temperament that can produce some of the most beautiful art works from the torture in the soul over personal tragedy or social wrongs.

Never has this been more evident than the explosion of art that came out of the great wars of the last century. It seems that after each great conflict, artists came forward with stirring and moving art works that reflect the horror in the human heart and soul that is a result of these terrible events in human history.

Sol this is one good reason to patronize and appreciate what the artist is trying to say to us. By expressing those strong emotions in the form of art, the artist is performing an act of emotional purging personally. But because the place of artist in society is sometimes to bring healing, that catharsis of the soul the artist goes through can perform a similar catharsis for you and I when we are strong enough to expose ourselves to that art work.

It is also important to remember that the artist is not necessarily trying to upset you and not to allow others to interpret the artist for you. Not long ago the photographic artist Robert Mapplethorp created a huge controversy with a show that included some very graphic sexual images. Along with those images were some lovely photographs of flowers, fruit and children. But because the artist has offended the sensibilities of some, many interpreted his other art works, particularly those of the children as obscene.

Look at each artwork in its own context. It is possible that Mapplethorp was just making a commentary on the beauty and innocence of young children. But because the children were nude and because Mapplethorp was gay and had produced other very provocative sexually charged pieces, the viewers projected perverted sexuality onto those pictures of children. The lesson to us is that we cannot let other circumstances to influence how we react to art. Each artwork stands on its own. We, as educated consumers, must judge each work in its own setting to see what the artist may have been saying with that particular work.

There may be astounding beauty even in scenes of tremendous suffering and human tragedy. So when you look at a difficult piece, in addition to letting the theme and the pathos of the piece talk to you, be sure you judge the artwork artistically as well. Study the colors, the relationship of the objects to each other, the use of realism, surrealism and abstract art concepts to add depth to what you are looking at. Always let the artwork be an artwork. Then you will enjoy multiple meanings and layers of cognizance to what the artist has presented



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Magic Lines of Uli Art Style

Magic Lines of Uli Art Style: Magic Lines of Uli Art Style
POSTED ON AUGUST 1, 2020 BY FGB
01
Aug
Title:
Magic Lines of Uli Art Style

Word Count:
732

Summary:
Magic of Uli Lines, which is an extended dot or a moving point, has very many possibilities, particularly, the quickly drawn one. My drawing explores the evocative and lyrical possibilities of line and derives from Uli. The Uli artist works spontaneously whether on the human body or the wall. There is no question of erasing or cleaning. There is something about the spontaneously executed work, a breathtaking vitality and freshness that defy description or repetition.

Keywords:
African Art,Abstract Art,article,Black Art,Uli Art style,Nigerian Art,Igbo Art,Chidi Okoye,www.modernartimages.com,www.chidi.com,fine art,modern art

Article Body:
Uli is an expression of the people’s capacity for creative design, which is firmly rooted in their myths and their experience of life in the past, present and future. At its best, it is an expression of their synthetic present, the epic of their search for a new order in the contemporary world. It is my traditional art style, which I have fallen in love with all over again and it is a privilege to share uli with you in my works. It has been shown that the knowledge of uli motifs and symbols and their application enables one to identify the traditional Igbo artifacts, giving validity to the people’s aesthetic intelligence and judgment. This culture is one of the first known cultures of the world in the recorded archeologically facts to have done bronze casting. (Igboukwu bronze).

Uli symbols may be said to show graphically how the organic forms grow outwards from the core of those elements to point, line, triangle, square and circle that are universal to the concentric circle at the periphery, which contains reflections of everyday world as seen by the artists. Just as the inner circle reflects the uncommon reality or ritual reality of the cultural existence, so the outer circle is in contact with the human and ecological reality, which it expresses.

Artistic activities at Enugu formed part of the early post-1960 independence developments in the country. There was the growing local and international popularity of Nigerian novelists, dramatists, poets, literary critics, architects, artists, and musicians, and scholars. Interesting collaborations took place among those in the literary performing, and visual arts, particularly in southern Nigeria. The efforts and artistic lives of these minds sowed a flourishing seed for an uncommon global harvest. I give thanks to God for these great minds, your outstanding contributions will not be forgotten.

Uli creations relied heavily on drawing skills whose content is based largely on Igbo culture, particularly female body and wall painting called uli and on Igbo tales, ceremonies, and beliefs. The revival of interest in uli through contemporary art had begun with Uche Okeke in the 1960s, when Nigeria’s independence produced a growing sense of freedom from colonial restraints on cultural tradition. It fully developed among teachers and students in the 1970s at the University in Nsukka and was linked to renewed interest in Igbo culture after the destructive Biafran War.

Traditional uli motifs, now rarely painted on human bodies or walls, have a strong linear, often curvilinear, quality. The art makes use of contrasts between positive and negative space, its images at times appearing as sky constellations. Uli’s lyrical qualities express harmony and brevity. It is art style that has often been created in freedom and spontaneity. “Uli is a pride heritage”. Uli motifs generally refer to images of everyday Igbo life, farm and cooking tools, pots, plants, birds, animals, the sun, the moon, and the kola nut, though some are pure design. For ceremonial occasions and important events, skilled Igbo female artists painted uli to add beauty to the human body and the walls of buildings and compounds. Uli has made her way in modern social settings; on sculptural surfaces and on paper, board, and canvas, framed and hung on walls in homes, institutions, and galleries of the world.

Magic of Uli Lines, which is an extended dot or a moving point, has very many possibilities, particularly, the quickly drawn one. My drawing explores the evocative and lyrical possibilities of line and derives from Uli. The Uli artist works spontaneously whether on the human body or the wall. There is no question of erasing or cleaning. There is something about the spontaneously executed work, a breathtaking vitality and freshness that defy description or repetition.

An analysis of Igbo drawing and painting reveals that space, line pattern, brevity and spontaneity seem to be the pillars on which the rich tradition and heritage rests. It is these unique qualities that I strive for, both intuitive and intellectually to assimilate in my work. Intuitively, because during my years of studying and looking at Igbo sculpture, drawing and painting, various aspects of design and recurrent motifs have become internalized in my system and inevitably surface unconsciously in the course of executing my aesthetic challenges. It is perhaps needless to add that the great works of art is a result of the harmonious marriage of intellect and intuition.

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